![]() In Resolve, make sure you unlink proxies for the raw files (if you had previously tried to link proxies), so we are starting with a clean slate. Here's the step-by-step for anyone else with the same issue:ġ. The caveat is that I'm using a mac, I don't know if this would work on a PC. Generating proxies or optimized media would have probably taken even longer, as I had about 7TB of footage. Kenzo's trick worked! Huge thanks! This saved me a lot of time, as syncing them manually one by one (which does work) would take a long time with the amount of clips I had. mov would help.īut recently I relinked proxy files from Nikon (also without timecode) and only repacking to mov allowed them to relink properly. SebastianTRZ wrote:Thanks for responding! Could you explain this a bit more? I don't understand how rewrapping the proxies to. So Resolve is choosing to link to a proxy with a different name, this shouldn't even be possible! What is surprising is that in my proxy folder I have a proxy file that has the exact same name as the source file, but Resolve still links to a different proxy file in that folder. And that is what I suspect is tripping Resolve up, because it is relinking the proxies with the wrong source files. Timecode is identical as well, in that all the files have timecode starting from 00:00:00:00. The formats and codecs are supported as well. My proxy files do indeed have the same file name and frame rate as the source files. If your proxy file meets these criteria, you’ll be able to manually link proxy media created in other applications to source clips in the Media Pool. The format and codec used for proxy files must be supported in DaVinci Resolve. Proxy files must have the same frame rate as the source file. Proxy files must have the same file name as the source file (excluding extensions). Proxy files must have identical timecode to the source file. To properly link the proxy to its source media in DaVinci Resolve, the proxy file must meet the following criteria: Proxy files can also be generated in applications outside of DaVinci Resolve, such as other NLEs or various media asset management systems. Jim Simon wrote:From the Reference Manual: ![]() Is there a way I can tell Resolve to use file name to relink proxies, rather than timecode? Or failing that, is there a way to manually relink proxies? I could generate proxies in Resolve, but that would take a long time as I have about 7 TB of footage. I was a bit blindsided by this, as all the tutorials I had looked at before filming said that in order for proxy relinking to work the file names need to match, but now it seems Resolve doesn't actually use the file names for relinking. This of course is a problem as all the clips have timecode that starts from 0 and as a result the proxies usually match up with the wrong files. I learned only later that Resolve uses the embedded timecode to match the proxies to the originals. ![]() Or more accurately all the clips have timecode starting at 00:00:00:00. Problem is that I was a bit of an idiot and didn't run timecode (as I didn't need it, I was filming with only one camera and no audio). The Z9 automatically creates low res MP4 proxies with the same file name as the raw file, but with a different file extension (.mp4 vs. So I've filmed a bunch of 8k Nraw footage on the Nikon Z9.
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